Tracklist

Versions

Credits

• Backing Vocals, Percussion [Assistance] – Coke Escovedo
• Bass – David Brown
• Congas, Vocals, Percussion, Tambourine – Michael P. R. Carabello
• Design [Album Design] – Heavy Water Light Show, Joan Chase, Mary Ann Mayer
• Drums, Percussion, Vibraphone – Michael Shrieve
• Engineer – Glen Kolotkin (tracks: A1 to B1, B4 to B5)
• Engineer [Engineering By] – D. Brown (tracks: B2 to B3), G. Kolotkin (tracks: B2 to B3)
• Guitar – Neal Schon
• Guitar, Vocals – Carlos Santana
• Piano [Solo] – Mario Ochoa (tracks: B2)
• Piano, Organ, Vocals – Gregg Rolie
• Producer – Santana Musicians
• Recorded By – Mike Larner
• Timbales, Congas, Percussion, Vocals, Drums, Flugelhorn – Jose Chepito Areas

Notes

Inside cover reads 30595 Columbia
Side 2 of LP stamped COLUMBIA NY
Nothing on spine

1st Category on labels
2nd Category on sleeve

On labels:
Petra Music (BMI) 1971, Dandelion Music Co. (BMI) 1971, Prestige Music Co., Inc. (BMI) 1970, Patricia Music Pub. Corp. (BMI) 1956

Recorded at Columbia Studios, San Francisco.

Barcodes

• Barcode (Text): 0 7464-30595-1
• Barcode (Scanned): 074643059510
• Other (Labels, 2nd press Category): PC 30595
• Matrix / Runout (Label A): AL 30595
• Matrix / Runout (Label B): BL 30595
• Matrix / Runout (Runout side A, stamped - Variant 1): AL 30595-3A (etched) 1 T
• Matrix / Runout (Runout side B, stamped - Variant 1): etched IT (stamped) BL 30595-2AK (etched) XG
• Matrix / Runout (Runout side A, etched - Variant 2): AL 30595 G3B (in cursive) barry G1
• Matrix / Runout (Runout side B, etched - Variant 2): PBL 30595 G2A G1 (H-AD)
• Matrix / Runout (Runout A, etched - Variant 3): AL-30595 G3B ???????????????????? B 9 ᗐ D G1
• Matrix / Runout (Runout B, etched - Variant 3 ): 〈TXFP〉 PBL 30595 G2B D G1 A1

Companies

• Recorded At – Columbia Studios
• Manufactured By – CBS Records
• Pressed By – Columbia Records Pressing Plant, Carrollton, GA
• Published By – Petra Music
• Published By – Dandelion Music – track B1
• Published By – Prestige Music Co. – track B3
• Published By – Patricia Music Pub. Corp. – track B5

Album

Santana is the third studio album by the American rock band Santana. The band's second self-titled album, it is often referred to as III or Santana III to distinguish it from the band's 1969 debut album. The album was also known as Man with an Outstretched Hand, after its album cover image. It was the third and until the group's 2016 reunion, the last album by the Woodstock-era lineup, and it was also considered by many to be the band's peak commercially and musically, as subsequent releases aimed. Santana III is an album that undeservingly stands in the shadows behind the towering legend that is the band's second album, Abraxas. This was also the album that brought guitarist Neal Schon - who was 17 years old - into the original core lineup of Santana. Percussionist Thomas Coke Escovedo was brought in to replace temporarily José Chepitó Areas, who had suffered a brain aneurysm, yet who recovered quickly and rejoined the band. Santana is the third studio album by Santana. The band's second self-titled album, it is often referred to as III to distinguish it from the band's 1969 debut album. The album was also known as Man with an Outstretched Hand. It was the third and last album by the Woodstock-era lineup, and it was also considered by many to be the band's peak commercially and musically, as subsequent releases aimed towards more experimental jazz and Latin music. Album 1971 9 Songs. The move made for an album that's all about instrumental firepower: It's telling that the single No One to Depend On had exactly one line of lyric. There's a pure Latin groove on Guajira and a rare Carlos vocal on the uplifting rocker Everything's Coming Our Way. A loose translation of the closing number, Tito Puente's Para Los Rumberos, gets it right: This one is for the swingers. Santana goes back deep into the roots of todays music, not only just to the time when the Family Dog was at the Avalon, but back further into the heavy dosages of Latin and African rhythms that have been part of American music for a long time. Thats a hallmark of Santana, its continual high level of excitement. When the band drops down from that high tension wire for a number or for a movement, it usually enters into one of those romantic lyric passages that Anglos have come to associate with syrupy sentimentality. But one mans sentimentality is anothers pure emotion and Santana really is an emotional band. Santana III is ranked 2,264th in the overall chart, 438th in the 1970s, and 51st in the year 1971. This album is rated in the top 3 of all albums on . Songs in album Santana - Santana III 7 Promo EP 1972. Santana - Everybody's Everything. Santana - Guajira. Santana - No One To Depend On. Santana - Taboo. In Search Of Mona Lisa. 2019 сингл. The 2014 FIFA World Cup Official Album: One Love, One Rhythm. Pop Music: The Golden Era 1951-1975. The Trinity. Santana III, 1971. Batuka, 03:34. No One to Depend On, 05:32. Taboo, 05:35. Toussaint l'overture, 05:55. Everybody's Everything, 03:30. Guajira, 05:42. SANTANA - Santana III. Jazz music community with review and forums

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