Tracklist

Versions

Credits

• Backing Vocals, Percussion – Coke Escovedo
• Bass – David Brown
• Congas, Vocals, Percussion, Tambourine – Michael P. R. Carabello
• Design [Album] – Heavy Water Light Show, Joan Chase, Mary Ann Mayer
• Drums, Percussion, Vibraphone – Michael Shrieve
• Engineer – Glen Kolotkin
• Guitar – Neal Schon
• Guitar, Vocals – Carlos Santana
• Photography By [Inside] – Joan Chase
• Piano, Organ, Vocals – Gregg Rolie
• Producer – Santana Musicians
• Recorded By – Mike Larner
• Timbales, Congas, Percussion, Vocals, Drums, Flugelhorn – Jose Chepito Areas

Notes

Track listings and credits depicted on labels and inner gatefold written in Spanish.

Companies

• Manufactured By – CBS/Columbia Internacional, S.A.
• Recorded At – Columbia Studios

Album

Santana is the third studio album by the American rock band Santana. The band's second self-titled album, it is often referred to as III or Santana III to distinguish it from the band's 1969 debut album. The album was also known as Man with an Outstretched Hand, after its album cover image. It was the third and until the group's 2016 reunion, the last album by the Woodstock-era lineup, and it was also considered by many to be the band's peak commercially and musically, as subsequent releases aimed. Santana III is an album that undeservingly stands in the shadows behind the towering legend that is the band's second album, Abraxas. This was also the album that brought guitarist Neal Schon - who was 17 years old - into the original core lineup of Santana. Percussionist Thomas Coke Escovedo was brought in to replace temporarily José Chepitó Areas, who had suffered a brain aneurysm, yet who recovered quickly and rejoined the band. Album 1971 9 Songs. The move made for an album that's all about instrumental firepower: It's telling that the single No One to Depend On had exactly one line of lyric. There's a pure Latin groove on Guajira and a rare Carlos vocal on the uplifting rocker Everything's Coming Our Way. A loose translation of the closing number, Tito Puente's Para Los Rumberos, gets it right: This one is for the swingers. November 25, 1972 5:00AM ET. Santana III. Ralph J. Santana goes back deep into the roots of todays music, not only just to the time when the Family Dog was at the Avalon, but back further into the heavy dosages of Latin and African rhythms that have been part of American music for a long time. For its surely true that for all their Fender basses and fuzz tones, Santana is more deeply committed to the music defined and still played by Tito Puente, Machito, Mongo Santamaria, and all the glorious combinations of brass and rhythm that made the old Sunday afternoon dances such a delight, than to the Rolling Stones. Santana III is a music album by Santana released in 1971. Santana III is ranked 2,264th in the overall chart, 438th in the 1970s, and 51st in the year 1971. This album is rated in the top 3 of all albums on . Santana is the third studio album by Santana. The band's second self-titled album, it is often referred to as III to distinguish it from the band's 1969 debut album. The album was also known as Man with an Outstretched Hand. It was the third and last album by the Woodstock-era lineup, and it was also considered by many to be the band's peak commercially and musically, as subsequent releases aimed towards more experimental jazz and Latin music. The 2014 FIFA World Cup Official Album: One Love, One Rhythm. The Greatest 60's Music Album. Released September 1971. Santana III Tracklist. Batuka . Discover all of this album's music connections, watch videos, listen to music, discuss and download. Santana III 1971. Album by Santana. No One to Depend On. Spanish Grease by Willie Bobo 1965. was sampled in. Mentirosa by Mellow Man Ace 1989. was covered in

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