OMD - Dazzle Ships AlbumPerformer: OMD
Title: Dazzle Ships
Style: Synth-pop, Experimental
Cat#: VL 2261
Label: Telegraph , Virgin
Size MP3 version: 1214 mb
Size FLAC version: 2492 mb
Size WMA version: 2491 mb
OMD - Dazzle Ships Album
|3||The Romance Of The Telescope|
|8||Dazzle Ships (Parts II, III & VII)|
|10||Of All The Things We've Made|
|11||This Is Helena|
|V 2261||OMD||Dazzle Ships (LP, Album, Gat)||Virgin, Telegraph||V 2261||UK||1983|
|V2-86090, 0777 7 86090 2 5||Orchestral Manoeuvres In The Dark||Dazzle Ships (CD, Album, RE)||Virgin Records America, Inc., Virgin Records America, Inc.||V2-86090, 0777 7 86090 2 5||US||1992|
|CDV 2261||OMD||Dazzle Ships (CD, Album, RP)||Virgin, Telegraph||CDV 2261||UK||Unknown|
|OVEDC 106||OMD||Dazzle Ships (Cass, Album)||Virgin||OVEDC 106||UK||1983|
|VNC 5034||OMD||Dazzle Ships (LP, Album)||Virgin||VNC 5034||Zimbabwe||1983|
- Design – B. Wickens, K. Kennedy, M. Garrett, P. Saville, P. Pennington
- Engineer – Brian Tench, Ian Little, Keith Richard Nixon, OMD, Rhett Davies
- Producer – Orchestral Manoeuvres In The Dark, Rhett Davies
Die-cut cover. Printed inner sleeve.
- Matrix / Runout (Runout side A etched [stamped]): VL 2261-A SNB230 DM-
- Matrix / Runout (Runout side A etched [stamped]): VL 2261-B-3 SNB230 DM-
- Distributed By – PolyGram Distribution Inc.
- Manufactured By – PolyGram Inc.
- Phonographic Copyright (p) – Virgin Records Ltd.
- Copyright (c) – Virgin Records Ltd.
- Printed By – Ever Reddy
- Published By – Virgin Music (Publishers) Ltd.
- Recorded At – Gallery Studios
- Recorded At – Mayfair Studios
- Recorded At – The Gramophone Suite
- Mixed At – The Manor
- Mastered At – Master Room
- Lacquer Cut At – Disques SNB Ltée.
- Pressed By – CBS Records Canada Ltd.
Dazzle Ships is the fourth album by Orchestral Manoeuvres in the Dark OMD, released in 1983. The title and cover art designed by Peter Saville allude to a painting by Vorticist artist Edward Wadsworth based on dazzle camouflage, titled Dazzle-ships in Drydock at Liverpool. Dazzle Ships was the follow-up release to the band's hugely successful Architecture & Morality 1981. OMD, then at their peak of popularity, opted for a major departure in sound on the record, shunning any commercial obligation. Покупайте и продавайте винил и компакт-диски, формируйте. OMD's glistening run of top-flight singles and chart domination came to a temporary but dramatic halt with Dazzle Ships, the point where the band's pushing of boundaries reached their furthest limit. A conversation with musician Andy McCluskey from Orchestral Maneuvers in the Dark, about their 1983 Dazzle Ships album that serves as the inspiration Ships was OMD's fourth album overall and the follow-up to their massively successful Architecture and Morality album, The highly-experimental Dazzle Ships differed from their previous releases by exploring the use of digital sampling keyboards. Though not a commercial triumph when it was originally released, it is now considered one of their finest musical moments. OMDs fourth album, Dazzle Ships, was perhaps a little too aptly named. Its title derived from the geometrically-painted warship camouflage intended to confuse enemy submarines during the 20th Centurys two World Wars, but its contents just as quickly confounded the public. While the album briefly peaked at No. 5 in the UK Top 40, Dazzle Ships was panned by the press and deemed a commercial failure. Fast-forward almost four decades, however, and this brave and still futuristic-sounding opus is finally enjoying its season in the sun. Template:EngvarB Template:Use dmy dates. The title and cover art designed by Peter Saville alluded to a painting by Vorticist artist Edward Wadsworth based on dazzle camouflage, titled Dazzle-ships in Drydock at Liverpool. OMD, then at their peak of popularity, opted for a major departure in sound on the. Dazzle Ships is one of British pop's more notorious flops. It was the follow-up to a major hit album but cut OMD's audience by 90. It was a mix of new songs, reworked B-Sides, and found sound experiments, which promised to mix ABBA and Stockhausen. It was named after wartime camouflage boats. It was appallingly reviewed. In fact I don't think you could design a record more ripe for revisionism: It's got a strong backstory, it's as ambitious as it is catchy and it even has a gorgeous Peter Saville sleeve. Luckily, you don't need a contraria. Referring to Dazzle Ships as OMD's Kid A is getting the right idea but ultimately sells the former album short. Given the context of its original release, Dazzle Ships is quite possibly the most unique, unexpected, and uncommercial album ever to make the UK Top Five. If it overreaches the standard paradigm of pop music by a mile, its grasp covers almost all that ground. In 1983, OMD were trying to figure out how to handle the sensation caused by the surprise smash success of 1981's Architecture & Morality. That album matched religious imagery and impossibly ethereal electronic sounds with the band's already-established knack for pop hooks. Listen free to Orchestral Manoeuvres in the Dark Dazzle Ships Radio Prague, Genetic Engineering and more. 12 tracks 34:44